Automatic color and texture matching that addresses problems of multicam and stereo shoots.
RE:Match in Action
In this example, you will see that RE:Match Stereo matches one view to the other, despite the fact that the car reflects a slightly different color at a different angle.
Nick Brooks, Academy Award and Emmy Award winner for visual effects, says RE:Match provides "amazing color matching for stereo pairs... really!!! The specular and optical aberrations matching is high quality and very effective."
Jonathan Banta, stereo pipeline designer, says "The smart guys at RE:Vision Effects have created a very cool toolset that I have been lobbying for for a long time. Brilliant!"
Match colors automatically
Color correct one shot to match another when using multiple takes or cameras.
Easy to control
RE:Match can match using the whole image or part of an image, and can use any point in time.
RE:Match improves stereo footage by knowing that the two views are captured at the same time with a small distance between the views.
Set a color correction using a particular point in time of the sequence to match.
Perform automatic whole-image color correction based on a smaller window of pixels for each of the image sequence
RE:Match assumes that both image sequences are taken roughly at the same location but perhaps were not shot at the same time or from the same point-of-view.
Handles more than one cut
Control the color correction for different cuts within your sequence by setting up one to four images and color match by choosing among them. This reduces the need to cut up your footage before processing.
Reuse a color correction
Ability to store the current color correction and use it on other sequences via cut-and-paste of the plug-in to another clip
Works well with over bright values and very wide dynamic ranges
Auto image registration
Matching for stereo pairs takes advantage of internal per-pixel registration using optical flow methods.
Stereo pair matching takes into account occlusions between the two views.
Frame edge differences
Stereo pair matching takes into account that the two images may not have corresponding details at some of the edges of the frame.
Refine within matte
Stereo matching has controls for making details, such as reflections, lens flares and specular highlights match between the two views. Methods provided to remove or attenuate on-lens artifacts (such as water drops on a lens).
No stereo alignment required
You can use at any point of your pipeline. Because RE:Match uses internal pixel registration, stereo matching does not require image alignment prior to use. Visualization modes are provided to guide what RE:Match is doing internally.
Learn how to use RE:Match’s features
Instructional videos, and example videos, that help you learn how to get the most of each plug-in's robust features.
Try RE:Match for Free
RE:Match V1 – OFX Hosts
RE:Match V1 – OFX Hosts
TRIAL DOWNLOAD & LICENSE COMPATIBILITY
When you download a RE:Match or purchase a RE:Match license for Natron it is compatible with the following:
2015.1.0.104 (and up)
5.2 (and up)
4 (and up)
1 (and up)
5.1 (and up)
6.1.3 (and up)
64-bit only, v10.0e (and up)
License for Natron
Compatible with Catalyst Edit, Fusion Studio, HitFilm, Natron, Nuke, Silhouette, and Vegas Pro
We offer several types of licensing options for both our interactive and render-only plug-ins: floating license, node-locked license, and volume license (read the licensing overview for more information). If you are interested in volume licensing or have other questions about these license options, please contact us. All floating licenses require installing our floating license server.
Features, pricing and availability are subject to change without notice.
Interactive license options
|PURCHASE FLOATING LICENSE||$592.50||Add to Cart|
|Upgrade from node-locked GUI license||$197.50||Add to Cart|
|PURCHASE NODE-LOCKED LICENSE||$395.00||Add to Cart|